Intercisus

Curator: Klaudio Štefančić

Kristian Kožul’s sculptural installations explore the tension between form and fragmentation, fusing biomorphic shapes with industrial materials to evoke bodies that are in flux—disassembling, reassembling, or mutating. While drawing on the history of modernist sculpture, Kožul departs from its ideals of coherence and unity, instead presenting a sculptural language that reflects the dissonance of contemporary life. His work suggests a kind of post-human vitality, where organic and synthetic elements coexist in precarious balance. Through evocative titles and disorienting material juxtapositions, Kožul touches on themes of violence, technology, memory, and transformation. The result is a series of enigmatic, immersive environments that ask what it means to have — or to lose — a body in the modern world.